Every note, every octave, in hertz
This reference lists the equal-temperament frequency of every musical note from C0 through B8 — 108 pitches in total. It is built for musicians, audio engineers, instrument builders, synthesiser designers, and developers writing tuners, tone generators, or audio analysis tools. Frequencies are recomputed live from whichever A4 reference pitch you choose, so you can read off standard 440 Hz tuning or any alternative.
How it works
In twelve-tone equal temperament, every semitone is the same frequency ratio — the twelfth root of two, approximately 1.05946. Starting from the A4 anchor, the frequency of any note is:
f = A4 × 2 ^ ((n − 69) / 12)
Here n is the MIDI note number (A4 = 69, middle C = 60) and A4 is the reference pitch in hertz. Moving up twelve semitones adds exactly 1.0 to the exponent and doubles the frequency — one octave. Moving down twelve semitones halves it. That single formula produces the entire 108-note table.
Reference pitches compared
| A4 reference | Middle C (C4) | Notes |
|---|---|---|
| 440 Hz | 261.63 Hz | ISO 16 standard |
| 432 Hz | 256.87 Hz | Alternative tuning popular in some genres |
| 442 Hz | 263.12 Hz | Common in some European orchestras |
| 443 Hz | 263.71 Hz | Favoured by some string players |
When you change the reference pitch, every note in the table rescales by the ratio between the new and old anchor. The relative intervals between all notes stay identical because equal temperament is defined by ratios, not absolute frequencies.
Practical uses
Synthesiser and tuner development: the formula and MIDI number column let you map a MIDI note number directly to a frequency in code. f = 440 * 2**((n-69)/12) is a one-liner in any language.
Instrument intonation: compare the table at 440 Hz against a recording at 442 Hz to understand exactly which notes drift. A violin section at 442 sits about 7.9 cents sharp relative to a digital piano at 440, which is audible on sustained unison passages.
Finding a specific pitch: searching for A4 or 69 jumps to the same row — both are middle A. Searching 60 finds middle C (C4) at 261.63 Hz.
Checking the octave relationship: A3 is 220 Hz, A4 is 440 Hz, A5 is 880 Hz — each octave exactly doubles. Two notes a tritone apart (six semitones) have a frequency ratio of the square root of two, approximately 1.414.